When he signed on to play the young Bruce Wayne in Fox’s “Batman”-prequel “Gotham”, David Mazouz wasn’t focused on the day he might be expected to step into the Batsuit, something he’s expected to do — in a fashion — in the DC Comics-inspired drama’s April 25 finale.
“I was thinking of the fact that most shows never go past the pilot,” Mazouz said in an interview in February in Los Angeles. (After a few weeks on hiatus, the show returns for its next-to-last episode on Thursday.)
Earlier in the day, at press conference for the show, “Gotham” showrunner John Stephens had addressed the question of whether it would be Mazouz whom viewers would see as Batman as the finale fast-forwards 10 years.
“This is going to sound evasive, but I’m going to say yes and no,” Stephens said. “David is a strapping young man, but our Batman suit is for someone who is 6-4. And yet the face that you see under the cowl is a hundred percent David Mazouz’s face. And we’ll hear David’s voice as well, in his own Batmany growl, I would say.”
Mazouz, who turned 18 on Feb. 19 (and who said he learned the growl from costar Ben McKenzie), was only 12 when he auditioned to play the future Batman. But he already knew that TV’s a chancy business, having spent two seasons playing the mute, mysteriously gifted son of Kiefer Sutherland’s character in the drama “Touch” before that show was canceled.
“When you sign a seven-year contract, you’re not thinking where you’re going to be seven years from now. Because it almost never is relevant,” said Mazouz, who’s from Los Angeles and who ended up spending most of his adolescence filming the series in New York.
He’s OK with that. “Because I’m around so many amazing role models, so many cool, smart, talented and dedicated, passionate people.”
Although “there was a while there when I had a really hard time adjusting to the move and I felt like I was living half a life,” he said. “Every hiatus, I would come back and spend three months at home. And whenever I spent a significant amount of time at home, I would say to myself, ‘I would be so bored if I was only doing high school.'”
“Gotham” was developed for television by Bruno Heller (“Rome”, “The Mentalist”), whose next project, for Epix, is “Pennyworth”. An even earlier Batman prequel, it stars Jack Bannon as the young Alfred Pennyworth, a former Special Forces officer who works for Thomas Wayne (Ben Aldridge), who’ll eventually become Bruce’s father, in 1960s London.
“That’s the wonderful thing about the DC Universe and the ‘Gotham’ universe… It’s kind of infinitely expansive,” Heller said. “And there’s always a new way of looking at it every generation.”
In part because of the constraints reportedly placed on it by DC Comics, which wants to reserve certain characters for big-screen projects, “Gotham” has kept its viewers guessing about some of its rising villains.
“You would think that you know the story and you would think that ‘Gotham” not an interesting show to watch because you’re like, ‘Oh, I know that that guy’s not going to die. So this scene isn’t suspenseful,'” Mazouz said. “But we trick you. We do kill those characters sometimes. And we do bring [in] other characters to do things that [different] characters in the comics have done.”
The writers “perfectly mix kind of the best of canon with [their] own interpretations on things,” he said.
“Bruce Wayne in the comic books is not really who Bruce Wayne is on ‘Gotham’, in terms of how young [he is when] he starts his journey becoming Batman,” and in the fourth season, Mazouz said, “he kind of fell off the deep end and gave into kind of all teenagers’ deepest temptations. And we see him make mistakes, and that’s part of growing up. And I think that is something the show has always taken seriously. I’ve always really tried to bring my own personal experiences into it for that reason, so it is relatable for people who are my age, watching this character grow up.”
“Gotham”. 8 p.m. Thursday, Fox.